Sunday, December 22, 2019

The Role of Women in the Musical Life of the 19th Century....

Chayamon Sanmueang 2750922 chayamon.sanmueang@griffithuni.edu.au The Romantic Imagination (2103 QCM) Semester 2, 2012 Convenor – Mr.Stephen Emmerson The role of women in the musical life of the 19th century. Due: 4 October 2012 The 19th century was an era of change. There were lots of progression in technology, science, and philosophy that gradually turned European society away from the past centuries. Women’s status in the 19th century Europe also changed. Many of the 19th century women were able to have a profession as they received higher and wider education, and also allowed to have more participation in society. In the musical life of 19th century Europe, numbers of women were able to perform and compose as good and men.†¦show more content†¦The style of Felix and Fanny was very similar, mainly because they studied with the same teacher, and grew up in the same environment. Moreover, they often exchanged musical opinions, and critiqued each other’s music when they grew up. Many historians say that Fanny was inspired by Felix, but some of their works show that they were inspired by each others. Between November 1839 to May 1840 Fanny was traveling in Italy. A year later she compo sed Il Saltarello romano, a piano piece which was inspired by her traveling experience. However, it contains a rhythmic pattern, and a motif which is reminiscent of the last movement of Felix’s Italian Symphony, composed in 1833. Therefore, it is possible that Fanny was also inspired by her brother’s symphony (Cooper amp; Prandi, 2002). On the other hand, Felix’s Andante in G major Op.62 No.1 from Songs Without Words Book 5 composed in 1844 is very similar to Fanny’s Andante in G major Op.2 No.1 composed in 1836. These two Andante have very similar openings which consisted of an anacrusis followed by a dominant seventh, then resolved down. Moreover, it is obvious that Felix’s Andante has a similar melodic structure to Fanny’s. 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